The Best Leica Rangefinder Lenses for 2023

Leica Wide Angle Tri-Elmar / M10 Monochrom (Credit: Jim Fisher)

For most rangefinder owners, a moderately wide to standard prime is your primary lens. Most M camera viewfinders show framing guides for select focal lengths from 28mm through 135mm. Some film models, like the discontinued Voigtlander Bessa R4 and Konica Hexar RF, offer wider-angle coverage, but you’ll need to search for them on the used market and send film out or spend time processing it yourself.

Leica M11 with Visoflex EVF attached (Credit: Jim Fisher)

With most rangefinders, wide lenses require external viewfinders, either optical or electronic, for framing. There are ample options to choose from, though, including the only in-production zoom lens for M cameras, the Leica 16-18-21mm Tri-Elmar, and Venus Laowa’s 9mm F5.6 FF RL, currently the widest rectilinear lens you can get for a full-frame system.

You’ll need to take some care when shopping for a digital camera, as a handful of wide lenses exhibit odd color shifts at the corner of the frame. Most of the worst offenders are only available secondhand, but be aware that it’s a concern with some lenses that have been around since the film days, including the Zeiss C Biogon T* 21mm. A free software app, appropriately named Cornerfix(Opens in a new window), is useful if you want to compensate for the effect.

An out-of-production version of the Voigtlander Super-Wide Heliar 15mm shows notable color shift and vignette when used on a digital Leica M (Typ 240) (Credit: Jim Fisher)

The camera you use plays a factor, too. Some digital models do a better job suppressing color shifts. Others may not show odd colors, but will smear details in the corners. Leica’s purpose-built digital M cameras include on-sensor corrective optics—microlenses—and very thin protective material over the sensor to get the most out of wide-angle lenses.

That means you can’t expect the same performance from the same optics when using lenses, particularly wide ones, with mirrorless cameras from Canon, Nikon, Panasonic, or Sony. Kolari Vision, a small shop best known for infrared camera conversions, can modify(Opens in a new window) select full-frame mirrorless cameras for a fee. It promises that corner resolution will be more in line with a Leica body once it’s done.

Leica Elmarit 28mm / M10-D (Credit: Jim Fisher)

A 28mm lens is about as wide as most photographers will go for a standard lens on a Leica camera—it’s the widest you’ll get with a modern digital and older film rangefinders, and matches the view of today’s smartphones. For a generation of photographers making their first pictures with iPhones, it’s a comfortable angle of view.

You might prefer a lens with a slightly tighter view. For rangefinders, look to a 35mm as a moderately wide standard, and to 50mm lenses if your images lean toward subject isolation or you just prefer a narrower view of the world.

Leica M10 Monochrom with 50mm APO-Summicron Lens (Credit: Jim Fisher)

Oddball focal lengths do make their way into the system, though. Leica sold the 40mm Summicron-C in the 1970s as the standard lens for the compact CL film camera, but there are no frame lines to support it in any M series camera, film or digital. The lens has its devotees, this author included. Today, Voigtlander sells two 40mm lenses, the bright Nokton F1.2 and the compact Nokton F1.4.

It’s at the 50mm where you’ll find lenses with extremely bright apertures. Leica’s Noctilux line was born out of the focal length, and has progressed from F1.2 to the current-generation F0.95 sold today. Third parties, including MS Optics, TTArtisan, and Voigtlander, have also marketed lenses with apertures larger than F1.4 in recent memory. If you want a fast 50mm lens, the M system has you covered.

Leica Summarit 75mm / M (Typ 240) (Credit: Jim Fisher)

Lenses with focal lengths longer than 50mm offer narrower angles of view, and fall into the realm of telephoto. Leica cameras include framing guides for 75mm, 90mm, and 135mm optics in the viewfinder.

I recommend 75mm and 90mm options a bit more strongly for rangefinder photographers. Frankly, it’s a bit of a pain to frame shots in the relatively tiny area covered by the 135mm lines in the viewfinder, and the long focal length requires you to take more care to focus precisely.

It’s worth it to think about switching to the Visoflex EVF with an M10 series camera if you opt for a lens like the APO-Telyt-M 135mm, and it’s an absolutely necessary add-on if you want to get images focused perfectly when using the Noctilux-M 75mm F1.25 at its widest aperture.

Leica Summaron-M 28mm F5.6 / Leica M Monochrom (Typ 246) (Credit: Jim Fisher)

You can also buy a new lens that’s based on an old design. Leica, Lomography, Meyer Optik Görlitz, and Voigtlander have all produced modern takes on some vintage lenses for photographers who don’t want to use an actual antique.

The Leica Summaron-M 28mm F5.6 and Noctilux-M 50mm F1.2, Lomography Minitar, and Voigtlander 50mm Heliar(Opens in a new window) draw images like lenses of yesteryear, but are built with modern methods. You won’t have to fret about sending them in for service. Collectors take note, the re-issue of the 1930s Thambar-M 90mm F2.2(Opens in a new window) was only in production for a short time, so it’s worthwhile to pick one up if you find it available for sale and are interested in the concept.

Take some care when shopping for Meyer Optik lenses, though. Its released Lydith, Primoplan, and Trioplan lenses in M mount, as well as for other systems. They’re not rangefinder designs, though, so you can’t set focus through the optical viewfinder. They are best used with a digital M with the Visoflex EVF.

Regardless of whether you’re buying new or used, or for a 35mm film body, digital Leica, or another brand’s mirrorless camera, there are good reasons to shop for M-mount lenses. You can enjoy the latest lenses with clinically perfect optics, or seek out older lenses and optical formulas for images with character.

Leica Summicron-C 40mm F2 / Leica M (Typ 240) (Credit: Jim Fisher)

Many reach to older M glass for projects that demand a bit of a vintage look. Prices, availability, and condition vary, but since M lenses are all mechanical, you can use one from the 1950s on a current-generation digital camera without any adapters.

If you’re versed in buying old photo gear, you’ll be well aware of watching out for problems like oil on aperture blades and stiff focus rings, but it may be worth it to net photos and videos with a look that’s naturally a bit softer, with a bit less contrast, and unpredictable flare.

If you do seek out older glass, be prepared to deal with the occasional lemon. I’ve bought and returned M lenses for various reasons—I had my eyes on a goggled Leica Elmarit 135mm F2.8 at one point, but found its focus calibration to be way off. Rather than foot a repair bill, I opted to return it.

That’s a luxury you’ll have when buying from a photo specialty retailer—the big online shops all have pretty lively used departments. That may not always be true if you go the eBay route, so check the listing. Internet discussion forums also serve as a marketplace among members; Leica Forum(Opens in a new window) and Rangefinder Forum(Opens in a new window) are two popular destinations for M system photographers.

If returns aren’t an option, or you have a piece of gear you really want to be brought into good working order, repair shops are your best route. DAG Camera Repair(Opens in a new window) and Golden Touch(Opens in a new window) specialize in Leica.

We’ve highlighted some of our older reviews of lenses no longer in production below (from smallest focal length to largest focal length) for creators who don’t mind shopping secondhand for camera gear. Retailers such as B&H, eBay, Gear Focus, KEH, MBP, and Popflash Photo, are good places to start your search.